The richly described and evocative concepts introduced and discussed in last weeks readings, further uncovered the possibilities of digital heritage mapping and visualisation.
I liked how Whitelaw saw seamfulness [as]…’an ethical and political stance’: a commitment to exposing interpretive distance. The discussions about transparency, in Sherratt, Sadler and Boug and Whitelaw, and the creation of alternate recourses and experimental platforms, than say, relying on google (yeah, now I can see how limited it is!) also influenced me. The parallels drawn by Sadler and Boug between feminist principles and creating an ethic for digital heritage culture were pointed and realistically grounded, especially how they challenge the notion of the ‘dispassionate’ researcher/archivist.
I’ve come across and greatly admired Ben Ennis Butler’s (and Mitchell Whitelaw) work on the Australian Print Collection ( link through NGA website) – it’s contemporary, local and relevant (for me )and it helped contextualise how collections can be accessed and presented in an inspiring and generous way.
The animated GIF’s were great and I’ll give it a go over the coming days,